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Fluff: Communication theory and brand promotion

PROTECT STATUS: not protected
This project is a student project at the School of Design or a research project at the School of Design. This project is not commercial and serves educational purposes
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COMMUNICATION THEORY IN THE FIELD OF DESIGN

Design and contemporary art are fundamentally disciplines of meaning-making, operating within intricate cultural, social, and psychological systems. Communication theory provides the essential analytical framework to understand these fields not as the creation of isolated objects, but as sophisticated, context-dependent communicative acts. This reasoning is structured around three interconnected principles.

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1. COMMUNICATION AS A RITUAL/CONSTITUTIVE PROCESS

A brand identity or an artwork does not merely transmit a static message; it actively participates in constructing social reality, relationships, and shared identity. Concepts like the Symbolic Convergence Theory illustrate how compelling narratives and visual languages forge communal bonds and foster a shared worldview among an audience. Furthermore, every aesthetic choice functions within semiotic systems, where meaning is derived from cultural codes rather than inherent properties. This positions the designer or artist as an active agent in shaping and negotiating shared cultural understanding.

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Basic patterns

2. THE DIALECTIC OF AGENCY AND STRUCTURAL CONSTRAINS

The creator exercises strategic agency, employing rhetorical tools aligned with theories of persuasion. The Elaboration Likelihood Model explains the strategic choice between engaging an audience through substantive, central-route arguments (complex concepts) or peripheral cues (aesthetic immediacy). Simultaneously, this agency is constrained by powerful structures. Media Ecology posits that the chosen medium itself — be it physical sculpture or digital interface — profoundly dictates the experience and meaning. Meanwhile, Critical Theories reveal the ideological and economic frameworks that shape aesthetic norms, commodify culture, and influence which voices are amplified or marginalized within the public sphere.

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Fluff box packaging

3. FROM FUNCTIONAL PERSUASION TO CRITICAL REFLECTION

On the functional end, theories become direct strategic tools. Politeness Theory can inform user experience design by balancing user autonomy with engagement. Relationship Management Theory underpins modern brand strategy, where success is measured in communal relationships built on trust and dialogue, not one-way messaging. On the critical end, theory serves as a lens for interrogation. Artists and designers leverage concepts of affordances and framing to critique technological societal impacts, using their work to challenge dominant narratives and power structures.

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Ultimately, communication theory reveals design and art as complex processes of social interaction. It equips the practitioner to be a strategist, semiotician, relationship-builder, and critical thinker, transforming practice from mere creation to a deliberate and responsible engagement with how meaning is generated, shared, and contested in the world.

PRESENTATION FOR A GENERAL AUDIENCE

Welcome to Fluff. More than a sleeping bag, Fluff is a portable nest of dreams. We believe every childhood adventure — from a backyard campout to a mountain hike — deserves a magical, secure, and deeply comforting finale.

Our world is built for exploration and discovery. We create gear that fuels little adventurers by day. And by night, we transform that energy into peaceful restoration. When the day’s adventures wind down, Fluff is there to wrap your child in a cocoon of warmth and safety. Our mission is simple: to guard the precious, rechargeable magic of childhood sleep, anywhere under the stars.

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Fluff sleeping bags

Our promise: The science of cozy, the language of play. Every Fluff product is engineered for trust and designed for joy.

  1. Trust: we obsess over safety, hypoallergenic materials, and reliable, season-appropriate warmth. We give you, the parent, peace of mind.
  2. Joy: we speak your child’s language through naive, dreamlike designs in gentle, happy colors. Each sleeping bag is a companion, with its own friendly character waiting to be part of their dream stories.
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Fluff belt bag

Fluff is a shared story. We’re not just selling a product; we’re facilitating a ritual. The ritual of preparing for camp, of whispering goodnight stories, of creating family memories that are as warm as our fill. Our matching accessories — from daypacks to beloved plush toys — extend this circle of comfort from the campsite back to the bedroom, making the return home just as soft.

Who is Fluff for?

  1. For parents and caregivers who seek to build confidence and wonder in their children, and who value safety wrapped in delight.
  2. For children, the little explorers and dreamers, who need a reliable haven for their biggest adventures and their sweetest dreams.
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Our core values:

  1. Guided security: we are the silent guardians of nighttime comfort.
  2. Imaginative warmth: we believe functionality and enchantment must go hand-in-hand.
  3. Joyful connection: we design to foster moments of care, storytelling, and family bonding.

PRESENTATION FOR A PROFESSIONAL AUDIENCE

Fluff is a case study in applied communication theory, translating the functional category of children’s sleeping bags into a cohesive psycho-emotional brand universe. Our goal is to occupy the market position of «Emotional Performance,» targeting the «Enabler Parent» who values social-emotional ROI and aesthetic cohesion over pure technical specification.

Our visual language is a deliberate counter-code to industry norms. We reject technical, severe aesthetics in favor of soft forms, warm palettes, and naive, hand-drawn iconography. This semiotic system signifies safety, gentleness, and imaginative play. The product ecosystem — from sleeping bags to plush toys — creates a portable, total environment of signification, deepening narrative integration into daily life.

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Our visual language is a deliberate semiotic system:

  1. Form & color: we reject the dominant paradigm of taut, mummy-shaped silhouettes and high-contrast, technical color blocks (signifying: endurance, severity). Instead, we use relaxed cuts, soft textiles, and a pastel/earth palette (signifying: gentleness, safety, organic connection).
  2. Iconography & naive art: the use of hand-drawn, «child-like» animal and celestial motifs is not mere decoration. It functions as a tactical signifier of authenticity and warmth, directly countering the cold, machine-perfect aesthetics of mass production. It invites emotional projection and personal storytelling from the child user.
  3. Ecosystem design: the extension into plush toys, backpacks, and bottles is critical. This transforms a single-product transaction into a total environment of signification. The brand world becomes portable, reinforcing its narrative across multiple touchpoints and deepening symbolic integration into daily life.

Our strategy is built on three key frameworks:

  1. Symbolic convergence theory: we curate fantasy themes («Portable Nest», «Cocoon of Dreams») designed to trigger shared storytelling within our community, building a powerful, insular brand culture.
  2. Relationship management theory: We engineer a communal relationship with our audience, prioritizing trust, commitment, and mutual satisfaction over transactional exchange. The brand acts as a partner in parenting.
  3. Structuration theory: we consciously navigate industry structures (channels, standards) while using them as a medium to impose our own unique signification system, playing within established rules to redefine the category’s emotional tone.
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Fluff branded products: bagpack, toy and sleeping bag

The strategy behind «Naive»: Fluff’s aesthetic is a calculated market posture. In a landscape of miniaturized adult tech and performance wear, we leverage Nostalgic Archetypes to offer a curated, «slow,» analog-feeling experience. This positions Fluff as a conscious rebuttal to digital overwhelm and hyper-stimulation, tapping into a growing cultural critique.

For designers and strategists, Fluff demonstrates how communication theory provides the blueprint for transforming products into cultural artifacts. It is an exercise in engineering a coherent system of meaning where every design choice serves a deliberate communicative function to build a defensible and resonant brand world.

COMMUNICATION THEORY STRATEGIES

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Fluff toys

The Fluff strategy was constructed through the deliberate application of specific communication theories. This process was systematic, not intuitive.

Core insight — communication is constitutive. The foundational premise came from the Socio-Cultural Tradition. Fluff’s purpose is not to transmit product features but to actively co-create a new meaning for children’s outdoor gear. We shifted the category from «technical sleep system» to «ritual of familial care and imagination.»

We integrated four key theories to address different strategic layers:

  1. Narrative paradigm: this became our core engine. Humans are storytellers. Therefore, we built Fluff as a complete storyworld — the arc from daytime adventure to secure, dream-filled night. This story provides the emotional logic for all messaging.
  2. Symbolic convergence theory (SCT) & semiotics: these are our tools for building shared meaning. We seed fantasy themes («Portable Nest») designed to spark shared storytelling (fantasy chains) within our community. This is executed through a deliberate semiotic system: every soft color and naive drawing is a sign opposing the technical, severe signs of standard gear.
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Fluff sleepbags

  1. Relationship management theory: this defined our strategic goal: a communal relationship, not a transaction. All choices aim to build trust, commitment, and mutual satisfaction, positioning Fluff as a partner in parenting, not just a vendor.
  2. Structuration theory: this was our navigational map for the professional context. It explains how we exercise agency within industry structures. We use the market’s existing rules and channels but fill them with our own meaning (signification), thus changing the category’s emotional tone from within.
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Application to the dual presentations:

For general audience presentation — this is the enacted theory. It performs the narrative, uses the crafted semiotics, and speaks the language of relationship-building.

For professional audience presentation — this is the theoretical blueprint. It explicitly names the frameworks (SCT, Structuration) and reveals the strategic design behind the «naive» aesthetic.

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Fluff bottles

In essence, communication theory provided the complete architecture — from philosophical foundation to tactical messaging — for building a brand that communicates with intentionality at every level.

Bibliography
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Communication Theory: Bridging Academia and Practice // Smart LMS HSE URL: https://edu.hse.ru/course/view.php?id=133853 (дата обращения: 06.12.2025).

Image sources
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«Fluff» by Veeroja Liina // HSE UNIVERSITY ART AND DESIGN URL: https://portfolio.hse.ru/Project/177511 (дата обращения: 06.12.2025).

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